(24 December 1945 — )
- Ai piedi del faro
- Bagatelles sans et avec tonalité
- Canto di Eros
- Canzone per orchestra da camera
- Cinque istantanee
- Come d’autunno
- Das ist kein Bach sagte Beethoven das ist ein Meer!
- ... dich und mich...
- Dmitrij oder der Künstler und die Macht
- Due canti
- Due ritratti
- Ein Lied
- Farawell. Alan Marks zum Gedenken
- Faust un travestimento
- Für Flori
- Gespräch über Bäume
- Giocate al giuoco mio, grassi giganti
- La canzone di Greta
- Lucrezio un oratorio materialistico
- Nel tuo porto quiete
- ...Nicht... (für HE)
- Non requiescat
- Prima sinfonia
- Primo quartetto
- Psalmus VI di Josquin Desprez
- (Senza titolo)
- Sisifo felice
- Sisyphos III
- Terza sinfonia
- Tre pezzi
- Yedid Nefesh
Luca Lombardi was born in Rome in 1945. He studied at the Universities of Vienna and Rome, and graduated after presenting a thesis on Haans Eisler, which was published by Feltrinelli (Italy) in 1978. He went on to study composition under Armando Renzi, Roberto Lupi and Boris Porena, and graduated from the Gioachino Rossini Conservatory in Pesaro in 1970. From 1968 to 1972 Lombardi lived in Köln, Germany, where he studied under Bernd Alois Zimmermann and Vinko Globokar, and attended the Kölner Kurse für Neue Musik (1968-70), studying under Karlheinz Stockhausen, Henri Pousseur, Mauricio Kagel, Dieter Schnebel and Frederic Rzewski. In Köln he also studied electronic music under Herbert Eimert, and in Utrecht under Gottfried Michael Koenig. In 1973 he was Paul Dessau’s student at Berlin’s Meisterschüler.
Luca Lombardi has published over 180 compositions, which include four operas, three symphonies, a slew of orchestral and chamber pieces, as well as music for soloists. Ricordi has published several of Lombardi’s works, including the operas Faust. Un travestimento (Faust – A Disguise) (1986-1990), based on a play by Edoardo Sanguineti (winner of the SIAE Award for musical theater); Dmitri oder Der Künstler und die Macht (Dimitri, or the Artist and Power), libretto by Hans-Klaus Jungheinrich (1994-1999); III Sinfonia, for soprano, baritone, chorus and orchestra (1992); Infra – music for 11 performers (1997); and Vanitas? for soprano, contralto, tenor, bass and orchestra (1999).
Lombardi has been the recipient of commissions from major music institutions in Italy and Europe, including IRCAM (Paris), WDR (Köln), Rikskonserter (Stockholm), RSO (Berlin), Musikbiennale (Berlin), RAI (Rome), Radio della Svizzera Italiana (Lugano, Switzerland), Theater Basel (Basel, Switzerlad), KölnMusik (Köln), Wiener Festwochen (Vienna), Gewandhaus (Leipzig, Germany), and Frankfurter Feste (Frankfurt, Germany).
Lombardi is also the author of articles and books, including Conversazioni con Petrassi (Suvini Zerboni, 1980) and Instrumentation in der Musik des 20. Jahrhunderts, a study of orchestration, which he co-wrote with Walter Gieseler and Rolf-Dieter Weyer (Celle, 1985).
The periodical series on composers “Musik-Konzepte” devoted a special issue and supplement to him (Munich, 2014).
He is a member of Berlin’s Academy of Arts, and Munich’s Academy of Fine Arts.
In 2015, the President of the Federal Republic of Germany, Joachim Gauck, awarded Luca Lombardi the Federal Cross of Merit.
Lombardi’s compositions have been published by Schirmer, Moeck, Suvini Zerboni, Ricordi (1985-2000) and Rai Com.